The Watt/Puppy Series 6 comprises; the WATT (Wilson Audio Tiny Tot) minimonitor, which can be purchased separately and used on stands, and the Puppy bass cabinet. But there is more to assembling the speakers than merely connecting the two halves via the supplied umbilical. The WATT actually sits on screw-in spikes on top of the Puppy, two in front and one in the rear. These are part of Wilson Audio’s Phase Delay Correction system and significant because which rear spike is used depends on the distance of the speakers from the listener, the spike adjusting the tilt of the WATT and, according to Wilson, time-aligning its drivers with those of the Puppy. Underneath the speakers are specially made spiked footers (called Puppy Paws and available in silver or black finish) with spacers that couple the speakers to the floor of the listening room. The thick cable that connects the WATT and Puppy is specially sourced from Transparent Audio; it pokes out from a hole on the top of the Puppy and connects to a set of binding posts on the WATT. There are separate user-replaceable ports for the WATT (which you choose depending on the kind of amplifier you have), and even two different sets of grilles: the traditional fabric-on-a-frame type and some simple foam covers, both of which affix to the front of the speakers via hook-and-loop fastening. Finally, there is also a tool kit that has everything you’ll need to hook up the speakers, including a wrench for the binding posts and special cloths for cleaning dust off the cabinets. The speakers and all accessories come packed in four foam-lined wooden crates; for shipping, the speakers are bagged and protected with a plastic film that gets removed after the speakers have been set up. Needless to say, Wilson Audio doesn’t miss a detail with the WATT/Puppy 6.