Stillpoints Products heighten transparency, speed of transients, air, space, and dynamics, to name only a few attributes. They contribute to a most natural presentation.
Stillpoints provide isolation and control of destructive vibrational energy. This is achieved by means of a four-tier filter, substantially improving the sonic and musical qualities of your audio system.

"...in the context of a high-end system they provide a huge sonic return on the investment." Robert Harley, The Absolute Sound, December 2011

The "Stillpoints Ultras are better than good.
They have perfected the mysterious art of adding to musical pleasure and sonic enchantment by subtracting unwanted, deleterious nonmusical intrusions." Jim Merod, Positive Feedback, March 2012

Products:
Ultra SS, Ultra 5 and now Ultra 6 can be used underneath equipment (on a shelf or the floor) or underneath any loudspeakers. They are ideally used with threaded adaptors as spike replacements. The Ultra 5 has 5 times the Stillpoints technology in a single package. The Ultra 6, where applicable, is the highest performance Stillpoints option. (The Ultra 5 remains the preferred option as a footer for floor standing loudspeakers). The Mini is primarily designed for use under equipment on a shelf, but can be used under small loudspeakers.

The ultimate expression of the Stillpoints art is the ESS rack. Contained with this aesthetic beauty is engineering which sonically improves any system used with it, aided by six pockets of Stillpoints technology built into the support bars of each shelf.

The secret to Stillpoints design is in many fine details. A key distinction is the way the four-tier filter prevents a direct energy path through the device. This isolation is in contrast with other support devices (such as spikes, cones and balls ), and the success of this approach is instantly audible.

Using proprietary stainless steel and ceramic bearings, the Stillpoint ultra SS essentially takes the micro vibrations coming from the component that is sitting on it and dissipates them (top-down).
It also decouples the component from the surface that the Stillpoint is sitting on. Most other component feet work in the 20hz to approximately 1kHz band.
The Stillpoints work with vibrations downwards of 100 nanoseconds. These are the frequencies that harm the audio signal the most. They act as a filter on these frequencies, and the benefit is passed into the audible band.

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