The transparency of the MS4s revealed the character of every amplifier I tried. The Coda amp, a solid, 350-watt chunk of metal that had more than enough muscle to drive these speakers. On the CD The Magic Box by John Williams, the Coda emphasized the strings of this great guitarist’s instrument, but also diminished its body and tonal color to a noticeable degree. On the other hand, my Canary amp demonstrated that the guitar was hollow and made of wood. The music had more body and air, and the images were more tactile and real. Best of all, the bass sounded deeper than with any of the other amps.
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